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360 systems | Midi Bass Pro |
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Description | After the success of the original Midi Bass, listening to what people wanted in a "bass line" sampler the MIDI Bass Pro was born. As a result many new features were build into a product that is useful and easy to operate. MIDI Bass Pro was designed to provide sampled sounds so accurate and realistic that they put the actual bass instrument at your fingertips. This new rack mount version provides a megabyte of internal EPROM sound memory capacity, improved signal-to-noise ratio (in excess of 90 dB) and two 12 mHz computers to handle internal operations. |
| Brand | 360 systems |
| Model | Midi Bass Pro |
| Device | Synth |
| Type | Rack |
| Engine Type | Digital |
| Engine | Sample |
| Voices (max) | 1 |
| Multitimbral | 1 |
| Oscillators | 1 |
| Engine Detailed | Sampled ROM |
| Filter (VCF) | 1 |
| Envelope (VCA) | DR |
| Memory | 30 ROM |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Audio | Mono out |
| Midi | I-O-T |
| Produced: | 1987 - 1987 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
